Anyegin
John Cranko / Piotr Ilyich Tchaikovsky / Kurt-Heinz Stolze: Onegin
Ballet in three acts
John Cranko / Piotr Ilyich Tchaikovsky / Kurt-Heinz Stolze: Onegin
Ballet in three acts
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Last event date: Sunday, February 05 2017 11:00AM
Scene 1: The garden of Madame Larina’s house The inhabitants of the house are preparing for Tatyana’s birthday. Olga is dancing with her friends while Tatyana is reading. The young girls begin a charming old game: if one looks into a mirror she will see her love. The superstition is realised for the joyful Olga, who sees her fiancé Lensky. When the dreamy Tatyana glimpses into the mirror, she sees Onegin, whom Lensky has invited to the Larin estate to introduce him. The girl falls in love with the stranger at first sight. Olga and Lensky dance a happy pas de deux. Tatyana walks with Onegin in the garden, but the conceited visitor from the city is cold and reserved; he ignores the girl completely.
Scene 2: Tatyana’s bedroom Tatyana is writing a letter to Onegin, confessing her passionate love to the man she hardly knows. While writing, she falls asleep. In her dream, her desire comes true: she catches sight of Onegin in the mirror, and, this time, he reciprocates her love.
Act II
Scene 1: Madame Larina’s house Onegin and Lensky have been invited to Tatyana’s birthday. She is nervous, yearning to receive a reply to her letter. When she is alone with Onegin, he brashly hurts her feelings by tearing the letter to pieces in his wrath. The merciless Onegin later wounds the soul of the girl in love again when he begins to court Olga with scandalously spectacular zeal. Prince Gremin, an old friend of the Larins, arrives at the celebration and dances with Tatyana. The girl is watching Onegin during the dance but she must be disappointed: The object of her affections devotes all his attention to Olga. The furious Lensky demands redress and challenges his friend to a duel.
Scene 2: A desolate park Tatyana and Olga are begging to Lensky to cancel the duel. Onegin is ready to reconcile, but his deeply hurt friend is adamant. At the duel, Onegin kills Lensky.
Act III
Scene 1: Prince Gremin’s ball, ten years later. Tatyana is married to Prince Gremin. The prince holds a ball where Onegin appears. The man of the world who has seen only disappointment now realises that lost the only true love of his life when he refused Tatyana. When he sees Tatyana – now Princess Gremina – he hopes to revive her old feelings. But Tatyana turns away from him.
Scene 2: Tatyana’s boudoir Onegin announces himself to the princess in a letter. Tatyana wants to avoid meeting him and asks her husband not to leave her alone that night. Onegin confesses his love to her passionately. Tatyana’s soul is tormented as old emotions have not entirely faded. Eventually, common sense wins out: she rejects the man’s advances and – paying back the old debt – tears his letter to pieces.
The OPERA Orchestra’s official season-opening concert featuring monumental works is a real treat for classical music lovers.
For the 14th time, the performance of the famous Symphony No. 9 will dominate the OPERA’s New Year celebrations. In 2027, the programme will be completed by two further classical works: Beethoven’s overture, also enhanced by Mahler, and a cello concerto by Haydn, the latter of course featuring an OPERA soloist.
Pairing the two German composers, Wagner and the Wagnerian Strauss in a single evening creates a sweeping and overwhelming fusion of expansive melodies and driving dramatic force. The encounter between Wagner’s mythical intensity and Strauss’s modernism is a dialogue between two musical giants who reshaped not only German but also international musical life. In the performance of the OPERA Orchestra, their compositions promise deep emotions, dense musical textures, and sonic grandeur.
Please note that the auditorium is closed for visits during rehearsals. Guided tours are not available during performances.
Gustav Mahler SYMPHONY NO. 8 Concert performance in Latin and German with Hungarian, English, and original-language subtitles
Giuseppe Verdi AIDA Opera in three parts, four acts, in Italian, with Hungarian, English, and Italian subtitles
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