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Antigoné - tükör
Miről mesél a tükör? A hatalomról, a felelősségvállalásról, a másikra való odafigyelésről. De elsősorban a rögeszméinkhez való (szinte kényszeres) ragaszkodásról.
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Last event date: Tuesday, February 17 2009 7:00PM
Amely odáig vezethet, hogy belefocizzuk magunkat egy olyan zsákutcába, ahonnan nincs kijárat - fogalmaz a rendező. Ez jelenik meg a nagyszabású drámai hős, Kreón sorsában, aki végletesen ragaszkodik valamihez, s hiába próbálják rávenni döntése megváltoztatására, nem hallgat senkire. Ezért bűnhődnie kell. Mint ahogy az elveihez való makacs ragaszkodás okozza Antigoné tragédiáját.
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Henry Purcell’s epic masterpiece, Dido and Aeneas has to do with the Trojan War. But what is even more important than the historical background of this hour-long little gem is love – as Dóra Barta, the director of the production highlights it, “Humanity has long known that if there is something you can die of, Love is certainly such a thing.
“I've captured a terrific storm of elements and of hearts which gradually calms to Brünnhilde's magic sleep,” Wagner on the score of Die Walküre, in a letter to Ferenc Liszt. Following on the heels of the introductory Das Rheingold, this opera about the tragic love between two of Wotan's children constitutes the start of the more tightly drawn dramatic trilogy. Once again, the laws of the gods clash: can paternal love save a lad who has violated the sanctity of marriage?
Set in the Roman Empire around 74 BC, Spartacus was László Seregi's first true full-length ballet, which at one stroke became a milestone in Hungarian dance life. Since 1968, one generation after another has enjoyed the historically themed choreography, which treats the story of the ancient slave revolt in such a way that its true message is not the rebellion itself, but rather human emotions and choices under pressure.
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